April 24, 2009

Finding your retro clothing style


Are you looking for a unique style that you can call your own? Are you tired of wearing the same old clothes day in and day out? If this sounds like you, retro clothing may be just what you have been dreaming of. When it comes down to it, retro clothing has a lot to offer both guys and girls. No matter who you are, there is a good chance that you can pull this look off. After all, people have been wearing this look for many years. Although it went away for a good while, the fact of the matter is that retro clothing is once again back in play.

The most important thing that you will need to consider is where you can find retro clothing. Remember, buying the original clothes from many years ago may not be an option. Luckily, there are many retro clothing shops that are sure to meet your needs. The only thing that you need to do is determine where these stores are located, and then from there you can get started with the actual shopping.


Your best bet for finding retro clothing is the internet. There may be a store or two in your area that sells some of these pieces, but if you want the largest selection you will need to rely on the internet. This will give you the chance to find plenty of selections, and of course, you can also shop around for the prices that will best suits your needs.

Even if you think that a retro look is too much for you to handle, you should at least try it out. A lot of people look down on retro clothing until they actually try them on. From there, they realize how good they look and they cannot resist buying more and more.

Overall, there is a large group of people who love how they look in retro clothing. Are you going to be next? If you never try these clothes on you will have no way of saying for sure. For this reason, pick up a few articles of retro clothing and see where it takes you!
READ MORE - Finding your retro clothing style

Your Favorite Red Carpet Dress


There are many sources where you can look for your favorite red carpet dress. High status departmental stores embrace very high quality red carpet dresses of each and every style. Another greatest source is the Internet. In a fraction of seconds you can get your favorite stars dresses in front of you. Also you can visit many high positioned websites that specialize in red carpet dresses. You can wear many popular celebrity looks. As these are red carpet dresses, so you need great time to select the one, thus from all those viewpoints also Internet shopping is the best. You can browse any number of sites, as many times you want in order to find the perfect dress you want.

One of the best options to get scoop red carpet dress is to customize it. Customize dresses for any occasions are always on the top and are much sought after. Red carpet dresses are also creation of somebody’s mind only, thus if you also have creative mind make one red carpet dress of your imagination also. It is very time consuming, effortful task, but if you really have creativity to look like celebrity or superstar, it will be worth all the work.

Whatever style celebrity is wearing whether vintage, modern, sexy or simple you will also get the same. Red carpet dresses comes in all styles but with different face. Halter, strapless, thin straps, one shoulder, ruffle, high-low hem, slit, A-line, floor length, sweetheart neckline etc all decks red carpet dresses. It is not so that these dresses are made of some exclusive details but their presentation is different. Add glamour to you by wearing your posh red carpet dress in order to join your name in Fashionista’s list. Red carpet dresses also blow out desire to look good at all times as well make you feel good and lifts confidence for the rest of the day. Thus, they truly fulfill the philosophy of dressing i.e. being glamorous and imparting fun.
READ MORE - Your Favorite Red Carpet Dress

April 10, 2009

Yoga and Exercise Fashion

Yoga Shirt
Always practice or workout in cotton, it's the most breathable!
We recommend Edun organic cotton t-shirts. Edun was founded by Bono and his wife and is a socially conscious clothing company committed to sustainable employment in developing areas of the world. They are also committed to using organic materials and paying fair labour wages. If you're inspired by their vision, values and ethics then please support such a progressive and mindful company.

Neck Warmer or Scarf

In the gym when you're training your muscles, you are opening your pores and skin. You don't want to walk outside and cool down too fast. You want to stay warm as long as you can. Wrap a scarf around your neck and tuck it under your chin. It is a very popular thing in exercise culture now to wear scarves despite the warm temperatures. Try any scarf made of wool, cashmere or organic fibres like bamboo.

Physiological Shoes

Because of the way they are designed to keep you off balance, Physiological Shoes helps to focus on your core, lower back, hamstrings and glutes (and all the muscles inbetween). You're forced to keep your balance and naturally your core muscles will kick in. It doesn't replace a personal trainer or an hour at the gym but it is a respectable workout for your lower body and core muscles.


Performance Monitor

The Nike + System is basically a microchip you place in the running shoe which monitors the distance you move. It sends a wireless signal to your iPod Nano via a receiver. It's a great motivational tool. Not only can you listen to music, it tells you how fast you're going — you can select a male or female voice – it tells how many calories you're burning, measures the distance and how many miles you're going per minute. Download it on the Nike + website to keep a record and keep track of your goals. You can usually ask to try it out in the store before deciding to buy.

Water Bottle

Stay hydrated. It helps burn fat. If you're low on H2O it gets harder and harder to burn the fat off.
Aim for an easy to spot stainless steel water bottle. Research is now showing that plastic water bottles leach toxins in the water. Eco-friendly stainless steel ones from Klean Kanteen also come in baby sizes that you can put a sippy lid on.

Exercise Watch

Find an easy to use watch that has lots of features. An alarm (to remind you to go to the gym), a stopwatch. Some watches can also measure your heart rate which is great when you're starting out because knowing your heart rate can prevent injuries (you have to be careful not to overdo it). They can also calculate how many calories you are burning. For some people seeing numbers helps them to know they are reaching their goals.

Cycling Shorts

Traditional cycling shorts tend not to look flattering on women (it makes you look like a sausage). Find one that is chamois and isn't diaper padded (most women complain of saddle-soreness from the padding).
You want something that isn't bulky and won't chafe constantly as you can wear it without underwear. Get a fabric that breathes easily so it takes away the moisture from constant sweat. Shebeest seems to be the best company for all the above.
READ MORE - Yoga and Exercise Fashion

April 09, 2009

GSUS

Back in early 1993 two Dutch designers, Jan Schrijver and Angelique Berkhout, met each other working as free-lancers. Even though the word free-lancer suggests something else, they did not feel entirely free in their roles.
Together with Peter Steenstra, who was fed up with the corporate life at IBM, they decided to start their own business: a shop in Arnhem the Netherlands.
On Friday the 13th, August 1993 the slogan "gsus is coming" announces the arrival of a new Dutch street wear shop called “heavens playground”. Next to being a point of sale for existing brands, the shop is used as a lab for its own brand “gsus”. It turned out to be the right time for something new. With the baggy, oversized look dominating the streets, gsus introduces tight retro shirts printed with funky glitter applications. Not only the product, but also the complete story around the brand is different: a veil of mystery with an airy frivolous communication, non conforming and unique.



"At gsus we truly believe in the arrogant intuition of the creative mind. Our designers create what they want to wear themselves. Market research is taboo. We do what we like best and feel strongly about the “do it yourself” credo. That’s why we unleash our creativity not only with the designing of clothes, but also with our ads, photography, gsus store designs and even the design of the Amsterdam Headquarters. Although we’ve grown over the years, we still consider gsus our creative laboratory, or better yet, our “heavens playground”. A place where we can let our creative juices run free. We recommend you to do the same. Join us and let the world be your playground..."

"Our brand name is a story in itself. In 1993 Coca Cola and Nike are already taken and the letter G is full of hype in its own right. Gangsta rap is rulin’, G-Love comes out with his first record and the G-spot is discovered. With wordplay, gsus refers to one of the most common names in the world. The logo, the crown of thorns, emphasises the prickliness of the brand even further. Within a few years, from the time the first tees were introduced, gsus grows from being sold out of the trunk of a car to an internationally available fashion brand. The collection and brand develop and grow without losing sight of those early stages of fun and creativity."

READ MORE - GSUS

April 07, 2009

Gucci

The House of Gucci, better known as simply Gucci, is an Italian French-owned iconic fashion and leather goods label. It was founded by Guccio Gucci (b.1881 - d.1953) in Florence in 1906. Gucci is considered one of the most famous, prestigious, and easily recognizable fashion brands in the world.In 1921, Guccio Gucci opens a leather goods company and small luggage store in his native Florence. Having spent years working in London's Savoy Hotel, he had absorbed the refined aesthetic of English nobility, and introduces this sensibility in Italy through exclusive leather goods created and produced by the master craftsmanship of Tuscan artisans..

Within a few years time, the label enjoys such success as it attracts a sophisticated international clientele, who seek out the equestrian-inspired collection of bags, trunks, gloves, shoes and belts. The horsebit and stirrup motifs were born of this world and become enduring symbols of the fashion house, and of an increasingly innovative design aesthetic.

Faced with a shortage of standard materials during the difficult years of Fascist dictatorship in Italy, Gucci establishes itself as an enterprise synonymous with exceptional creativity and resourcefulness. The "Bamboo Bag" is introduced, becoming one of the first of Gucci's many iconic products. A favorite of royalty and celebrity alike, the bag is still available today.

During the 1950s, the trademark green-red-green web, which is derived from the saddle girth, becomes a great success and remains one of the most familiar identifiers of the brand. With stores opening in Milan and New York, Gucci starts to build a global presence as a symbol of modern luxury. Guccio Gucci dies in 1953. His sons Aldo, Vasco, Ugo and Rodolfo take over the business.

1960s: Gucci introduces products that are cherished by the most iconic figures of the time and become renown for timeless design. Jackie Kennedy carries the Gucci shoulder bag, which is known today as the ??Jackie O’. Liz Taylor, Peter Sellers and Samuel Beckett wear the unstructured, unisex 'Hobo Bag.' The classic moccasin with horsebit hardware becomes part of the permanent collection at the Costume Institute, Metropolitan Museum of Art in New York. The Flora silk print scarf is created for Grace Kelly. Gucci continues its expansion abroad with stores opening in London, Palm Beach, Paris and Beverly Hills. In the mid 60s, Gucci adopts the legendary interlocking double 'G' logo.

Gucci continues its global expansion, true to the original aspirations of Aldo, now targeting the Far East. Stores open in Tokyo and Hong Kong. The company increases and diversifies production, carrying out significant research on new more luxurious materials and innovative approaches to design never tabling the legendary quality and craftsmanship synonymous with the brand. The great classics are revamped in new shapes and colors, and new product categories are introduced.

In 1982, Gucci becomes a public limited company, and leadership is passed to Rodolfo's son, Maurizio Gucci, who holds 50 percent of the shares. In 1984, Domenico De Sole becomes president of Gucci America. Investcorp, a Bahrain-based investment company, purchases the remaining 50 percent belonging to Aldo Gucci and his descendants in the late 80s.

Gucci is relaunched to global renown through a groundbreaking mix of tradition and innovation. Tom Ford becomes creative director of Gucci in 1994 and infuses the luxury brand with a sense of daring and provocation that resonates with celebrity and accomplished elite. The stiletto, and silk cut-out jersey dresses with metallic hardware details become icons of Ford's unique vision. Domenico De Sole is appointed CEO in 1995, and Gucci makes the highly successful transformation to a fully public company. Gucci is named "European Company of the year 1998" by the European Business Press Federation for its economic and financial performance, strategic vision and management quality. In 1999, Gucci enters into a strategic alliance with Pinault-Printemps-Redoute and transforms itself from a single brand company into a multibrand group.

After De Sole and Ford left their posts in 2004, Mark Lee is appointed President and CEO of Gucci division in 2005. Today, creative direction of Gucci is the responsibility of Frida Giannini and Gucci continues to explore its roots. "La Pelle Guccissima" - an entirely original, heat-printed signature leather - has been launched under Giannini’s direction, and is destined to become the label's next icon, expressing in its workmanship and impeccable quality a strength that is singularly Gucci's.

READ MORE - Gucci

Diesel






The brand Diesel was born more than 20 years ago and is today an innovative international design company, manufacturing jeans and casual clothing as well as accessories. It is present in over 80 countries with 10,000 points of sale and almost 50 company-owned stores.

When Renzo Rosso founded the company in 1978, he wanted it to be a leader, a company which took chances and carved out a niche for itself in its field. He surrounded himself with creative, talented people - innovators who, like him, rejected the slavish trend-following typical of the fashion industry. Renzo wanted to come up with a more dynamic and imaginative line of clothing than was available anywhere. He gave his open-minded new designers broad stylistic freedom, hoping they could create a line of clothing perfect for people who follow their own independent path in life. Particularly for those who decide to express their individuality also by the way they dress.

From the very beginning, Diesel’s design team turned their backs on the style-dictators and consumer forecasters of the fashion establishment and let their own tastes lead them. It is for this reason that Diesel immediately became a leader in developing styles, fabrics, manufacturing methods and quality control, guaranteeing an outstanding quality product. The company views the world as a single, border-less macro-culture. And the Diesel staff reflects this: a wide variety of people and personalities from all parts of the globe, creating an unpredictable, dynamic vitality and energy within the company. Diesel people and their working methods are so unconventional, and yet productive, that they have been profiled in countless magazines, newspapers and documentary television programmes, and have been studied by international conglomerates, consulting organizations, universities and business schools.

Diesel’s “historical moments” include mile-stones like 1978 (creation of the brand name), 1985 (Renzo Rosso’s complete acquisition of the company), 1991 (beginning of the international marketing strategy) and 1996 (opening of Diesel’s first flagship store on New York City’s Lexington Avenue).

Ever since the beginning, Renzo Rosso believed in addressing the world with one product and one language, and one of his first steps was building a solid and vast distribution platform stretching across all 5 continents.

Most of Diesel’s current production is outsourced, to small and medium-sized companies. Production of denim jeans is based exclusively in Italy. All international logistics operations (wholesale and retail) are centrally managed and carefully controlled. Today Diesel is a global concern with a consolidated annual turnover of 575 billion Lire (US$ 330 millions), 85% of which is generated outside Italy. The Headquarters are located in Molvena, in the north-eastern part of Italy, where the company manages 12 subsidiaries across Europe, Asia and the Americas. Diesel employs over 1,300 people worldwide.
READ MORE - Diesel

White Clothing & Fashion

The White Shirt Reinvented

If you need a break from the bright fashion trend and Technicolor patterns making waves in the trend-pool this season you'll be relieved to hear that equally fashionable on the streets this season - if a little tougher to keep clean - is pure, simple, white fashion.
Gap has recently introduced a new limited edition collection inspired by the classic Gap white shirt for women, designed exclusively for Gap by Doo.Ri, Rodarte and Thakoon - three of the most celebrated, emerging American design labels in the industry today.
The designers are putting modern feminine twists on the classic, crisp white shirt - which has for so long been an indispensable staple in your boyfriend's closet - by infusing it with the charm of swingy, geometric trapeze silhouettes and fresh detailing with the use of bows, ruffles, asymmetry and pleats. This fundamental of fashion has also had the pleasure of being morphed into comfortably chic dresses complete with pockets, buttons, collars and ties.

H&M continues to take a cue from mod-wear and bleaches it out in this adorable matching mini-dress and jacket. Use the white palette as an opportunity to pack a punch with colorful, contrasting accessories such as this season's increasingly popular headband and a hefty sized bag generous enough to tote all of your essentials.

Legs are high on style this season, so show them off in this simplest of simple white, strapless mini-dresses from Banana Republic. How can you rock this style? Slip into an espadrille, cinch it with an even skinnier belt and top this daring number with a slim, cropped blazer to ward off chilly nights.

Turn to Club Monaco's A-line shift dress in tonal stripe for summery style that's at once sexy, comfortable and classic. Slip into a pair of neutral toned espadrilles or leather thongs and you're good to go.

Evolution of the White Shirt

Ten years ago, almost to the day, the plain white shirt - that unmistakable, uninspired symbol of the office wardrobe (hence the term "white-collar job") - shed its boring nine-to-five image for ever.
It was Oscars night and Sharon Stone caused a fashion sensation on the red carpet when she arrived with her then husband, Phil Bronstein, on her arm - and one of his shirts on her back. It was accessorised with diamonds, cleavage and a floor-length lilac satin Vera Wang skirt.

Stone's shock-chic approach to red-carpet dressing has become part of Oscar history and, in the process, has given the white shirt classic status.

The white shirt is now an omnipresent part of the fashion scene, a wardrobe staple of the world's most stylish women. Customised with a stiff four-inch collar, it is as much an integral part of Karl Lagerfeld's image as his chunky Chrome Hearts silver jewellery.

Comme des Garçons' Rei Kawakubo is rarely seen without one either, worn with a sombre black jacket and skirt. Marc Jacobs at Louis Vuitton, DKNY, British stalwarts Margaret Howell and Paul Smith all feature white shirts this autumn. Style icon Daphne Guinness has recently launched her first fashion collection devoted entirely to versions of that one item.

Designers as diverse as Todd Lynn, Ralph Lauren, Yohji Yamamoto, Yves Saint Laurent, Brioni and Jil Sander have all made the white shirt a linchpin of their collections. This season, chains including Gap, Marks & Spencer and Next have interpreted the formula with missionary zeal. And some brands - such as French label Anne Fontaine - make little else.

The white shirt, bland as it may seem at first glance, is actually fashion's master of disguise. It reappears season after season, with slight variations in collar shape, embellishment and sleeve length, ready to morph itself into a look that will tie in with the hottest trends of the moment.

Different Looks for White Shirts

Romantic Full-sleeved and voluminous: tuck into jeans, hang loose over skinny trousers or wear with a belt over a pencil skirt

Pretty Look for small collars, frills or ruffles: perfect for softening working-wardrobe skirt or trouser suits

Tribal The classic, collarless granddad shirt: pile on the beads and bangles, push up the sleeves and wear with a primitive-pattern skirt

Retro Fitted, possibly Empire-line, with puffed sleeves: great with high-waisted '70s flared jeans

Classic The boyfriend-style shirt: Try versions by RM Williams, Thomas Pink and Anne Fontaine; don't forget the cufflinks

White is the new Black in Japan

White garments currently abound at boutiques and women's apparel departments. The color caught on after it featured prominently in the 2006 spring and fall collections of famous designers. White blouses and dresses with frills and lace, full skirts, and other clothes with a feminine touch are particularly popular. Women of all ages are taking to white, since it comes in a range of materials and can be mixed with other colors to achieve a variety of effects. A lineup of white accessories and shoes, bags, and other goods is also available.

White has replaced black, last fall and winter's hot hue, to become the "in" color this spring and summer. The trend was ignited after it appeared prominently in the 2006 spring/summer collections of Prada, Valentino, Yves Saint Laurent, Chloe, and other famous designers, which were shown in Milan and Paris in the fall of 2005. Since then, feminine designs have quickly supplanted the military, masculine look that was popular for a number of years.

An indispensable part of today's ensemble is the white "romantic blouse," with its feminine touch. Many romantic blouses have frills around the neck or front, eliminating the need for accessories, and come in pretty designs with lace or ribbons at the neckline, puffed sleeves, and intricate hems.

Teenage girls are drawn to dresses with a supple drape made out of cotton, linen, and other natural materials, as well as full knee-length skirts made out of sheer, silky cotton. Working women, meanwhile, go for blouses made from silk, satin, chiffon, and other elegant fabrics paired with sturdy knee-length shorts, a combination favored for its refined appearance. On colder days, which can continue as late as mid-May, they need only don a cropped white jacket or crocheted white bolero, a choice that has replaced the black velour jackets that were popular last autumn and winter.



For all its popularity, white is not an easy color to wear, because dirt shows up so easily. When the occasion warrants it, white accessories or other items can be used instead of white clothes. This spring and summer, hot items include overlapping strings of white pearl necklaces with different sized beads and white rose charms. Patterned items featuring interspersed lace or ribbon are also selling well, as are shoes with ribbons, ballet-style slippers, and other soft designs.

The All White Wardrobe

Imagine for a moment reaching into your closet and always having clothes that matches. There is a way to do it, but there is a price. All your clothes are white.

White shoes, white pants and white skirts, white shirts, white blouses and even white ties and scarfs. Seems kind of dull, but your laundry basket suddenly seems a lot easier to clean since you only need to worry about your whites. You will be bleaching more to remove tough stains, but depending on your lifestyle it may be worth it.

You can still mix your wardrobe up with a dash of colour. A red scarf, a blue jacket, a yellow sash. Your accessories suddenly stand out twice as much when everything else you wear is white.
READ MORE - White Clothing & Fashion

The Modern Corset

The classic corset has been modernized, and with it has come some dramatic changes. Instead of whalebone new materials are being used. New methods of cinching, or even not cinching at all are now available. Mon dieu! Zippers?!?! Blasphemy!!!


Cinching on the front, the side, twice on the back, front-back-and-sides, zippers, buttons, chains, accessories, buckles, clasps and VELCRO!!!


Full corsets, half-corsets, breastless, backless, straps, strapless...
Mon dieu! What have we done?!

And the colours these days are dramatically different too. No longer is it just white or black. Brilliant colours of purple, brown, green, yellow, red, blue, pink and orange! And every possible colour in-between, plus colour combinations that make the mind boggle.


These days we don't cinch as much. We're much more realistic with regards to how we wear our corsets.


We've also developed a problem in which we tend to associate corsets with sex. Which is true, corsets do realate to sexuality. Always have, but in the older days (way back when corsets first became popular) they were meant to be worn in public underneath a tight dress, because it was fashionable to be thin in the waist and yet voluptuous elsewhere.
These days voluptuousness and thinness don't go together. You're either thin, average, voluptuous, or just plain obese.

And regardless of size corsets can be made to fit your size.

Furthermore, the way we decorate corsets have changed. Embroidered hearts, skulls, chinese writing, paisley, flowers. Small ornamental buttons in various shapes.

And then there's the new matter of weddings.

A long time ago corsets were commonly used during weddings also. These days however it has become popular again. Especially for people who like wearing a corset normally, and thus a wedding corset is also something that can be re-used, unlike the standard wedding dress where you wear it once and then never squeeze into it again.

Thus with a corset incorporated into the dress, or perhaps the dress designed in such a way that the entire dress can be re-used for other things, a person at least gets more than one use out of it.

On the opposite side of the spectrum from weddings is perhaps the most common use of corsets: pornography.

If you go to Google image search, type in the word corset, and turn the "SafeSearch" off you will end up seeing a lot of pornography (usually softcore) of women wearing corsets. Some of it will be fine art photography (high quality stuff), but a lot of it will be just plain smut.

And perhaps that smut is the biggest reason why corsets are becoming so popular. Sex sells. Pornography can sell almost anything, from viagra to cars, from cologne to clothes. It would be interesting to compare that advertising within Playboy Magazine to any other magazine and just see which magazine actually promotes the product better.

The headmistress of pornography and burlesque, the queen of corsets is none other than Dita Von Teese. Ms Von Teese has done more for popularizing the corset than any other modern celebrity. The corset is practically her trademark.

The combination of sexuality, the thinning aspect of corsets (its cheaper than liposuction), the popularity of its use in high fashion, gothic fashion, weddings and pornography, celebrity usage and movies like "Pirates of the Carribean" has made the corset the single most widely used fashion change of the 21st century.

People are even wearing them to work.

As time progresses, it almost seems like the feminist movement has relapsed.

Except technically it hasn't. Women aren't wearing corsets because men want them to wear corsets (although certainly that still happens, especially in the porn industry), women are wearing corsets because they WANT to (due to their own sexual fantasies or fashion beliefs).

So its not a relapse. Its sexual liberation starting to bloom.

Women are now sexually free to wear whatever they want. Fashion is simply mirroring their own desires.

And in this case, their fetishes too.

Mon dieu! What have we done?!?!:)


READ MORE - The Modern Corset

April 05, 2009

Indian fashion becoming a hot commodity in the West

India is a country with diversified customs and cultures. The traces of Indians being fashionable can be found out from the ancient remains of Harappa and Mohenjodaro civilizations. After the independence, globalization is being witnessed in the Indian fashion industry, due to which changes have occurred in the style of Indian dressing.Styles of wearing saris and salwar-kameez have changed. The look is more cosmopolitan than region-specific. Different styles of blouses like katori style, halter-neck, back button blouses, high neck blouses, puffed sleeve blouses, etc. have become the hot favorite among women. The average lengths of the blouses have decreased. Saris are draped mostly in traditional back pallo style or gujarati style. Indian fashion scene is greatly influenced by its films. For example Mumtaz style sari draping inspired by yester-year heroine Mumtaz. Here sari is tightly draped around the body.

As far as salwar-kameez is concerned numerous styles and patterns can be given to this garment. For instance the kameez can be long, short, A-line, skin tight, etc. Such variations can be done to salwar as well as dupattas. Modern version of kameez is known as kurti, it could be coupled with jeans, pants or churidar. It has taken the form of Indo-western outfit. People in western countries too have started wearing kurtis.

Mall culture is slowly and steadily growing in India. Many brands and private labels are launched in the Indian market. The first such retail outlet was Shopper’s Stop which launched India’s first multi-brand store in the year 1993. The specialty of such malls is that they offer a wide range of varied branded stuff, all under single roof. Some of the famous malls of India are Pantaloons, Westside, Lifestyle, Globus, etc. These retail outlets have also launched clothing line under private labels, manufactured and sold by them. For example- Pantaloons has many private labels under its brand like All, Fashion station and Mela. Some of the major private labels even operate as exclusive stores. The buyer gets an international shopping experience in such retail outlets. There are no nagging sales persons pressurizing the customers to buy.

Family stores are becoming hot favorite shopping hub for the middle-class and upper middle class shoppers. These stores sell garments of nearly all age groups and sexes. Apparels of various brands can be found in family stores. They are being considered as one-stop shopping destination. Roopam, Big Bazaar, Fashion station, V-mart, Maxx, etc are examples of some family stores.

Here in Canada people are taking fashion lessons from India, whose fashion design industry has exploded in the last decade.

"When I started nine years ago, it was like My Big Fat Indian Wedding," said designer Ranna Gill, whose mosaic print dresses with gem-studded necklines were presented by Indiva, a Bloor St. W. boutique stocking contemporary Indian design.

But with the coming of fashion week in India, everything changed, she said. Older customers started trying younger silhouettes and younger customers had a fashion awakening.

"A lot of people think of Indian fashion as ethnic and old, but this sensibility has changed completely," agreed designer Narendra Kumar, who showed raffia-look floral dresses and gold linens with yellow beading.

Kumar is credited with helping to pioneer fashion in India, by bringing the country its first fashion magazine as the founding fashion editor of Elle India in 1996. Prior to that he had launched a collection inspired by '80s icons Azzedine Alaia, Claude Montana and Thierry Mugler, "but it was too ahead of the market." He relaunched his label in 2002, and two weeks ago showed in Paris with Montana watching from the front row.

"I have seen the evolution of fashion in India and they have come to the point where they can compete on the world stage," says Liloo Alim, concierge of Toronto's Four Seasons Hotel and a native of India.

"They realized `Why are we looking to the West when we have all the talent and craftsmanship here?' Now Indian designers are huge in London, Dubai, France and Italy. These people are the Guccis of India," she said, referring to Gill, Kumar, and the others featured in the Indiva show.

"We'll never let go of our sari," said Gill, who looked red-carpet ready in raspberry chiffon with gold sequins.

"It's like our comfort blanket. If you can't find anything else, you go back to the sari. But we are 100 per cent flirting with a Western silhouette, and that's the new India."

BLAME IT ON BOLLYWOOD

Indian fashion is all the Raj and will always be in vogue. Most notably a fashion classic is the traditional saree, now taken up by Western celebrities like Goldie Hawn and supermodels Naomi Campbell and Audrey Marnay who have all been spotted in sarees at gala events.

Saree fabric, usually in striking shades accented with gold or silver borders and motifs, has also made its way on to catwalk shows by Vivienne Tam and Zang Toi in New York, Matthew Williamson in London and Celine in Paris, in recent years.

While the saree is stunning in all its traditional glory, designer Michelle Lau has given it a Malaysian touch by using batik fabric in a range of Deepavali batik sarees under her label Meesha Sukira, which made its debut at the recent Miss Malaysian Indian Global 2007 beauty pageant.

Naturally, the alluring designs were a hit. “It’s all in the spirit of muhibbah,” explains Michelle. Floral and abstract elements feature in the hand-painted motifs. Traces of the hibiscus, water ripples and paint splashes can be seen on the flowy, silk chiffon sarees.

“Batik has a lot of potential because it can be done in a variety of designs from modern togs to classics like the cheongsam, baju kurung, kebaya, saree and more. The possibilities are endless, which is why there is a need to explore ideas and expose batik to the world.”

She is grateful to the late Datin Seri Endon Mahmood for aggressive campaigning for batik, especially the Batik Extravaganza, part of the Malaysia Batik — Crafted for the World movement in 2003 which chalked up batik sales of RM3.5 millon.

“The beauty of batik lies in the print and colour combination. It offers endless possibilities for artistic freedom as motifs are applied by actual drawing rather than by weaving with thread. It can also be done on almost any material imaginable like linen and pineapple fibre apart from the usual silk and cotton.”

Batik, she notes, has its own unique and distinctive beauty, and can be regarded as works of art, depending on the designer’s creative and innovative talent. As for Meesha Sukira works, only one word suffices: En-tjanting.
READ MORE - Indian fashion becoming a hot commodity in the West

April 04, 2009

Levi Strauss

Levi Strauss, the inventor of the quintessential American garment - the blue jean -was born in Buttenheim, Bavaria on February 26, 1829 to Hirsch Strauss and his second wife, Rebecca Haas Strauss.

Levi - named "Loeb" at birth - and his older sister Fanny were the last of the Strauss children; Hirsch and his first wife had perhaps five children, but this information is hard to confirm. Hirsch succumbed to tuberculosis in 1845 and two years later Rebecca, Loeb, Fanny, and possibly another sister named Mathilde emigrated to New York. In New York they were met by Jonas and Louis, two of the older boys, who had already made the journey and had started a wholesale dry goods business called “J. Strauss Brother & Co.” Young Loeb soon began to learn the trade himself, and by 1850 he was known among his family and customers as “Levi” (in the census of that year, his name is spelled “Levy.”).

When news of the California Gold Rush made its way east, Levi emigrated to San Francisco to make his fortune, though he knew he wouldn’t make it panning gold. At the end of January 1853 he became an American citizen, and in February he headed for the West coast via the Isthmus of Panama.

He arrived in bustling, noisy San Francisco in early March, establishing a wholesale dry goods business under his own name and also serving as the West Coast representative of the family’s New York firm. His new company imported dry goods – clothing, underwear, umbrellas, handkerchiefs, bolts of fabric – and sold them to the small stores that were springing up all over California and the West. It was these stores that helped outfit the miners of the Gold Rush and, eventually, the new families that began to populate the Western regions.

The first address where Levi conducted business (that we know of) was at 90 Sacramento Street, and the name of his firm was simply, “Levi Strauss.” In the 1850s this location was very close to the waterfront, handy for receiving and selling the goods that arrived by ship from his brother Jonas in New York. In 1856 Levi moved the business to 62 Sacramento Street and then to 63 & 65 Sacramento as its trade and reputation expanded. By this time David Stern - who was married to Levi’s sister Fanny - was associated with the firm. In 1861 the business relocated to 317 & 317 Sacramento Street, and in 1863 the company was renamed “Levi Strauss & Co.” Then in 1866 Levi moved the headquarters again, to larger quarters at 14-16 Battery Street, where it remained for the next forty years.

In his mid-thirties, Levi was already a well-known figure around the city. He was active in the business and cultural life of San Francisco, and actively supported the Jewish community. He also helped to found Temple Emanu-El, the city's first synagogue. Despite his stature as an important business man, he insisted that his employees call him Levi, not Mr. Strauss.

In 1872, Levi received a letter from Jacob Davis, a Reno, Nev., tailor. Davis was one of Levi Strauss’ regular customers; he purchased bolts of cloth from the company to use for his own business. In his letter, he told the prosperous merchant about the interesting way he made pants for his customers: he placed metal rivets at the points of strain - pocket corners, and at the base of the button fly. He did this in order to make the pants stronger for the laboring men who were his customers. He didn't have the money to patent his process, so he suggested that Levi pay for the paperwork and that they take out the patent together. Levi was enthusiastic about the idea and the patent was granted to both men on May 20, 1873. The blue jean was born.

He knew that demand would be great for these riveted "waist overalls" (the old name for jeans), so Levi brought Jacob Davis to San Francisco to oversee the first West Coast manufacturing facility. The first manufacture of the jeans was undertaken by individual seamstresses who worked out of their homes. By the 1880s Levi had leased factory space and then opened his own factory south of Market Street (though the dates and information are a bit vague here, thanks to the loss of the company’s historical records in the 1906 earthquake and fire).

The famous 501® jean – known at the time simply as “XX” – was soon a best seller, as were the other riveted products Levi and Jacob added to their new manufactured lines. Levi carried on other business pursuits during his career, as well. He became a charter member and treasurer of the San Francisco Board of Trade in 1877. He was a director of the Nevada Bank, the Liverpool, London and Globe Insurance Company; and the San Francisco Gas and Electric Company.

In 1875 Levi and two associates purchased the Mission and Pacific Woolen Mills from the estate of former silver millionaire William Ralston, and the mill's fabric was used to make the Levi Strauss & Co. "blanket-lined" pants and coats. He was also one of the city’s greatest philanthropists. Levi was a contributor to the Pacific Hebrew Orphan Asylum and Home, the Eureka Benevolent Society and the Hebrew Board of Relief.

In 1895 he and a number of other prominent San Franciscans provided funds to build a new railroad from San Francisco to the San Joaquin Valley (a project which unfortunately failed).

In 1897 Levi provided the funds for twenty-eight scholarships at the University of California, Berkeley. As the end of the 19th century approached, Levi was still involved in the day-to-day workings of the business, though he had brought his nephews into the firm by this time. David Stern had died in 1874 and his four sons – Jacob, Sigmund, Louis and Abraham – were now working with their uncle Levi.

In 1890 - the year that the XX waist overall was given the lot number "501®" - Levi and his nephews officially incorporated the company. During the week of September 22, 1902 Levi began to complain of ill health but by Friday evening the 26th, he felt well enough to attend the family dinner at the home on Leavenworth Street, which he shared with Jacob Stern’s family. He awakened briefly in the night and told the nurse in attendance that he felt "as comfortable as I can under the circumstances.” Then, peacefully, he died.

His death was headline news in the Sunday, September 28 edition of the San Francisco Call. On Monday, the day of his funeral, local businesses were temporarily closed so that their proprietors could attend the services. The eulogy was read at Levi’s home by Rabbi Jacob Voorsanger of Temple Emanu-El; afterward, company employees escorted the casket to the Southern Pacific railway station, where it was transported to the Hills of Eternity Cemetery in Colma (now Home of Peace), south of San Francisco.

Levi's estate amounted to nearly $6 million, the bulk of which was left to his four nephews and other family members. Other bequests were made to the Pacific Hebrew Orphan Asylum, the Home for Aged Israelites, the Roman Catholic and Protestant Orphan Asylums, Eureka Benevolent Society and the Emanu-El Sisterhood.

In summing up Levi's life and the establishment of his business, the San Francisco Call stated: "Fairness and integrity in his dealings with his Eastern factors and his customers and liberality toward his employees soon gave the house a standing second to none on the coast." An even more fitting testimonial was pronounced by the San Francisco Board of Trade in a special resolution: "...the great causes of education and charity have likewise suffered a signal loss in the death of Mr. Strauss, whose splendid endowments to the University of California will be an enduring testimonial of his worth as a liberal, public-minded citizen and whose numberless unostentatious acts of charity in which neither race nor creed were recognized, exemplified his broad and generous love for and sympathy with humanity."

On April 18, 1906 San Francisco was devastated by a massive earthquake and fire. Counted among the buildings which did not survive the catastrophe was the headquarters of Levi Strauss & Co. on Battery Street. The building survived the earthquake, but not the fire, which raged for three long days: all dry goods, furnishings and business records were destroyed. The factory suffered the same fate. It was a great loss, but it did not signal the end to the company. As the ashes cooled, the Stern brothers made plans for a new facility and a new factory, as their uncle Levi would no doubt have done. They also continued to pay employee salaries and extended credit to other, less fortunate merchants until they could get back on their feet. Although buildings and factories fell, the company built by Levi Strauss was bedrock solid, due to his foresight, his business sense and his unswerving devotion to quality.
READ MORE - Levi Strauss

Brand Name Fashion

Brand Name Shopping
The last thing I would ever do before going clothing shopping is look in actual fashion magazine. There is nothing in there I would buy or wear anyway. When am I, a lowly highschool chemistry teacher with aspirations of scientific grandeur, ever going to need a $500 dress from Versace?

Not that I wouldn't mind looking and feeling a bit like the prom queen in a dress suited for the red carpet, but I just don't see myself winning any Oscars (or even Nobel Peace Prizes) any time soon.

I'm also not the type of girl who goes out clubbing regularly and needs a hot little number to pick up sexually aggressive partners at the bar/club scene. I have chemistry projects and tests to grade goddammit!

So fashion magazines I'm afraid is a bit like mental masturbation. We'd all like to wear those clothes, but unless you can actually afford to buy $500 dresses to go clubbing in then you're really just playing with yourself.

So why bother looking in a fashion magazine? Anything you see in there is largely unwearable in real life.


The purpose of the magazine advertisements however is not to actually sell the product: It is to create a household name for the product so that if you do happen to walk into Armani, Dolce & Gabbana, Adidas or Yves Saint Laurent you KNOW you'll be spending a lot of money to get something that is quality, attractive and presumably backs up its product with high standards.

Meaning the clothes shouldn't rip and tear the first time you wear it, and they most certainly shouldn't be made in child sweatshops (like the GAP in India recently got caught doing).

So yes, you should be paying for quality.

But I also firmly believe in supporting your local fashionistas, the tailors and seamstresses who make clothes locally and sell it in high-end shops. The kind of people who don't advertise in international magazines because their clientele is local and stays local.

They make their own clothes, they can make custom changes so it fits properly and the clothes is guaranteed to be unique (that way when/if you do go to a party you don't show up and there's five other embarrassed women all wearing exactly the same black dress).

If I simply must have brand names however there is one reason I can think why we should look in fashion magazines: To know who NOT to buy from, namely to avoid companies with unethical behaviour.

For example I will never ever buy from the Gap, Gucci, Armani, Fendi or Dolce & Gabbana.

Dolce & Gabbana got chastised awhile back over their "fantasy rape" advertisement and Armani got caught doing something similar with a line of children's wear in which they showed little girls and boys in scantily clad clothing. The Armani pictures in question, which feature two little girls (one in a bikini top) wearing makeup and smiling into the camera and a second ad showing a topless boy in a sexually provocative position caused a lot of fuss internationally. Spain in particular banned the images for promoting pedophilia and sex tourism.

The Dolce & Gabbana advertising in contrast glorifies rape and violence, with some ads depicting rape scenes and other ads showing models knife-fighting.

The level of complaints about both companies caused fashion magazines worldwide to pull the ads from following editions.

But to some extent I think that was the point. The companies are so desperate for attention that will do anything risque to get extra attention, in order to further the drawing power of their brand name.

Years from now most people won't remember the Gap sweatshop incident in India, or the bad advertising choices of Armani or Dolce & Gabbana. They will just remember the brand name, and assuming they have the money to afford it maybe even buy that brand name.

This article itself is going to be guilty of perpetuating that idea, so again I want to point out the value of buying from local fashionistas. You'll still get high quality, but you're paying someone who is committed to that quality and doesn't stoop to unethical ways to promote their product.

A Quick Guide to Indie Designers

Every city has its own little fashion district (larger cities will even have multiple areas with fashion is in full swing). In Toronto for example the key areas are Queen Street West, Yorkville and to a lesser extent the Distillery District (which is a combination of visual arts, fashion and jewelry).

There are also more alternative fashion spots out there that support hippie, punk or gothic fashion. Want brand names? Go to your local 2-bit mall. Want indie fashion that is trendy and hip? Check out the indie designers.

Wherever your local fashion district is, go there and explore. Enter all the shops and take a look around. Compare the products and the prices.

Some of the stores may even have the person who actually made the clothes working right there in front of you, or perhaps in the back or upstairs.

Most of the shops however will actually be buying their products from local designers working out of their houses or apartments. They make the clothes, sell it the store and whenever the store runs out they order more.


Branda Name Fashion Icons

Adidas
Aeffe S.P.A
Agatha
Agnes B
Anna Osmushkina
Anna Sui
Aquascutum
Adeana Couture
Armani Exchange
Austin Reed
Avirex
Babette Waserman
BCBG
Benetton
Bernshaw
Bisou-Bisou
Blue Cult
Body Glove
Bogner
Burton
Brioni
Calvin Klein
Camal Gori
Cesarani
Chamail
Champion
Chanel
Christian Dior
Christian Lacoix
Claiborne
Club Monaco
Columbia
Converse
Courrages
Cutter & Buck
Diesel
Dockers
Dolce & Gabbana
Donna Karan / DKNY
Ecco
Ecko
Eddie Bauer
Ellesse
Elliott & Lucca
Energie
Esprit
Et Vous
Everlast
Fanatic
Fendi
Fia Miami
Fila
Fiorelli
Fratelli Corneliani
Fred Perry
Fruit of the Loom
Fubu
Gianfranco Ferre
Gianni Versace
Giorgio Armani
Giovanni Mistura
Gucci
Guess
Helly Hansen
Hesco Fashion
Hugo Boss
J. Crew
Izod
Jitrois
Jennifer Lopez
Jenny Hoo
Jhane Barnes
Joe Boxer
John Smedley
Jordache
Kelly Sparks
Kelsey Tailors
Kenneth Cole / Reaction
Lacoste
Land's End
La Perla
Laura Ashley
Lee
Le Tigre
Lee Yau
Levi's
Liz Claiborne
L.L Bean
Louis Feraud
Lucky Brand Jeans
Madeleine Vionnet
Mango
Marc Jacobs
Marcia Grachvogel
Marianne Alvoni
Mariella Burani
Marly's
Michael Kors
Michael Robinson
Migoscha
Mode Wichtig
Moschino
Morgan
Mudd
Munsingwear
Nancy Lord
Nicole Miller
Nike
Nogara
Norma Kamali
Oky-coky
Oilily
Olivier Strelli
Oneill
OP
OshKosh B'Gosh
Oxygen
Paul Fredrick
Paul Shark
Ozwald Boateng
Paul Smith
Pelle Pelle
Pepe Jeans
Perry Ellis
Perry Landhaus
Pierre Cardin
Pierre Garroudi
Pink Lime
Prada
Principles
Promod
Puma
Quicksilver
Ralph Lauren
Rampage
Raoul Dufy
Red Monkey
Red or Dead
Roberto Angelico
Rocawear
Rosner
Russell
Savane
Salvatore J. Cesarani
Sean John
Sinequanone
Sisley
Sonia Rykiel
Souad
Southpole
Speedo
Steven Alan
Swatch
Thomas Brent
Timberland
Todd Oldham
Tommy Hilfiger
Van Heusen
Vans
Versace
Vokal
Wrangler
Yves Saint Laurent
Z. Cavaricci
Zanetti
Zero
READ MORE - Brand Name Fashion

April 03, 2009

Wedding gowns for the glowing bride


At one time, a woman did her best to hide the fact that she was pregnant at the altar. That's changed, but what hasn't is the lack of wedding gowns for expectant brides.

That's where Sarah Houston sees nothing but opportunity. Houston's Toronto-based bridal label specializes in maternity gowns.

"Many women today live with their partners before they marry and they feel the clock ticking," observes Houston. "They are planning a family anyway, so they aren't as careful as they otherwise might be."

Houston believes nearly one in five women is now pregnant on her wedding day. In England, where her business has taken off, Houston says the figure is as high as 40 per cent. She also sells to five stores in the U.S. and Dina Alonzi in Toronto.

Houston launched her bridal business five years ago, after raising her four children and making clothes for herself and friends as a hobby.

"Then about two years ago there were more and more brides coming to me who were already pregnant," she says. "These women were beside themselves because most of what was available to them were polyester tents. The stores wanted to sell them a dress that was two or three sizes too big and then alter it."

Houston offers expectant brides the same fabrics and details in couture bridal gowns – silk chiffon or charmeuse, Swarovski crystal beading, handmade flowers and covered or pearl buttons. Styles emphasize the bodice, rather than the bump. Houston also developed a measurement system based on weeks of pregnancy so she can predict a bride's shape on the big day. Two-inch seam allowances leave room for adjustment.

Sarah Houston gowns retail between $2,000 and $3,000. A collection for pregnant bridesmaids will launch in the fall. See sarah-houston.com.

Satish Sikha and Tsufa Bijelic make gowns for the bride who doesn't mind standing out in a crowd. Sikha designs the textiles creating flourishes of floral beading and embroidery crafted in his native India. Bijelic, who he met at the International Academy of Design where both studied fashion, designs the bias-cut siren dresses and full-blown fantasies. "She gives life to my fabrics," he says. "And he gives life to my gowns," replies Bijelic, who emigrated from Croatia in 1991. The team opened a boutique at 102 Yorkville Ave. in October and have built a clientele as far- flung as Paris and Dubai. Prices start at $1,000 for a beaded shrug and $3,000 for an embroidered gown. Much higher are the dresses decorated with real rubies, emeralds and sapphires. They started using precious stones after a client's request and now have a supplier working with laser technology to turn diamonds into sewable beads. "A lot of people believe that stones touching the skin gives them luck," Sikha says. Apparently it does. Who else but a lucky few can afford the $14,500 price tag. Visit sikhatsufa. com.

With increased competition from fast-fashion houses and the Internet, traditional retailers have had to ramp it up. One new strategy is to provide a shopping "experience" and to that end TNT Blu has opened a project space at its Hazelton Lanes store. The first is Saltbox, a beach house by Parsons design student Ely Assaraf. The art, photography and fashions are all for sale.
READ MORE - Wedding gowns for the glowing bride

The World of Fashion in 2009

It was the year that fashion threw open its exclusive doors and invited the masses past the velvet ropes into their misunderstood world. From The Devil Wears Prada to Project Runway to Ugly Betty, the public's appetite and fascination was ferocious for shows – both reality-based and fictionalized – about the Machiavellian world of the fashion industry.

But as class and mass collided at the style junction, there were casualties, calamities, catastrophes and career mishaps.

If you can't beat them join them
This year, a record number of designers were living the high-low life. Perhaps tired of their designs being knocked off or just wanting to get the masses familiar with their names (the latter being the official reason) many teamed up with mass-market retailers to design capsule collections. Sophia Kokosalaki, Vivienne Westwood and Thakoon Panichgul went the footwear route with shoe designs for Nine West. Roland Mouret pitched a few dress designs at Gap. Even Madonna, a celebrity who curiously rarely lends her name or image to products, collaborated with H&M. But even hers was no match for the absolute bedlam that broke out when the Viktor & Rolf "love" collection for H&M hit stores worldwide. In Toronto, there was already a line-up at 5:30 a.m. at the Eaton Centre store and within hours of opening the collection was sold out, including the limited-edition wedding dress.

Talent is not enough
Even hyperbole, the lubricant that keeps the fashion wheel well-oiled, couldn't stop the money men from putting the brakes on the revered French label Rochas. Designer Olivier Theyskens was a darling of the fashion media and received accolades for his designs at Rochas. But critical praise did not translate unto the selling floor and the house was shuttered, sending the fashion world into shock. Shunning the media, Theyskens left Paris for ... Muskoka. Suddenly unemployed, the designer took a well-deserved break by attending the wedding of his assistant, Canadian Calla Hayes, in her hometown.

The trends that mattered
Fashion magazines made a lot of noise about the return of grunge, but women failed to leave the house wearing jacket, dress, pants, coat and long scarf all at once. Instead the runway trend had women from Paris to the Prairies leaping for leggings. Another popular look that took was skinny jeans. You could say it was the year of the leg.

Fashion movie of the year

Based on the roman à clef novel of the drama that takes place inside the hallowed halls of a Manhattan fashion magazine, The Devil Wears Prada netted more than $100 million at the box office and garnered its star Meryl Streep a Golden Globe nomination. Toronto designer Izzy Camilleri played a minor role of sorts as one of her fur coats was worn by Streep in the film.

The future of fashion magazines
Is this the beginning of the end for glossy fashion magazines? As the youth generation continue to turn to the Web for most of its information, Teen People, YM, Elle Girl and Toronto's own Fashion18 were just some of the teen fashion magazines that folded their print versions to go exclusively online.

The most expensive LBD
Proving good taste never goes out of style, the Givenchy-designed black cocktail dress Audrey Hepburn wore in Breakfast at Tiffany's was sold for close to $1 million at auction.

Underwear is still required


While tabloid fodder Paris Hilton and Britney Spears were photographed out on the town pantyless, don't count on this being the start of a trend. The underwear garment business is still booming. Why else would American powerhouse Victoria's Secret shell out $624 million (U.S.) for Canadian lingerie chain La Senza?

All in the Family
In the high-stakes world of fashion, it was refreshing to see family still came first and foremost for some fashionistas. At the height of her career at the sizzling hot Parisian label Chloe, designer Phoebe Philo bid adieu and resigned to spend more time at home with her kids. And ensuring her gorgeous genes will continue, the iconic Canadian supermodel Linda Evangelista gave birth to her first baby, a boy.


"Blondes have more fun."


Or so the old Clairol ads used to proclaim.

They also mused, "If I have only one life, let me live it as a blonde."

But the current blondtourage of celeb stick figures must be calculating that you only live twice, judging by their defection to the dark side.

There could be a lot of reasons they are going back to their roots. The upkeep is major. Tending to their blondage takes monthly touchups to avoid the yellow-hair-with-black-roots look that even Debbie Harry doesn't do any more. Or it could be damage control, an attempt to effect the smart, brunette Tina Fey look to deflect the skank-ho pantiless image. Next, we'll be seeing a run on geeky black, horn-rimmed glasses.

According to The Shaw Report in Entertainment Weekly, Blondes Going Brunette is under the "In" column and Brunettes Going Blonde is so "Five Minutes Ago."

# Nicole Richie turned up brunette on her mug shot when busted for a DUI, driving the wrong way on a freeway in Burbank.

# Cameron Diaz and Lindsay Lohan are now brunettes. Britney Spears has gone from blonde to brunette and back again.

# Blondes may have more fun but do they get more votes? Frank Stronach's fair-haired daughter Belinda is now a brunette.

# "It Girl" Rachel McAdams was blonde in her breakout role in Mean Girls but went back to her natural brown. J. Lo has ditched her beige highlights and returned to her Latina roots.

# Kate Bosworth went over to the dark side for Superman Returns but she wasn't credible as either a brunette or as reporter Lois Lane.

# Ashley Olsen went ash brown, but sister Mary-Kate, who was dark brown has bleached her hair a brittle blonde.

# Nicky Hilton and Ashlee Simpson both went dark to differentiate themselves from their controversial siblings, Paris and Jessica, respectively.

Everyone has an opinion. "Dark hair is like a giant light-up arrow pointing to what is wrong with you. Blonde hair – it all sort of blends in a haze of beige," said Lorelai (Lauren Graham) discussing celebrity dye jobs on Gilmore Girls.

"I love my dark hair," Cameron Diaz told People magazine. "I've had dark hair before and I changed my hair colour because, in my mind's eye, I feel like a brunette. It just seemed like a good time to make the change. It's funny, because my family and friends all feel the same way ... they prefer me as a brunette."

Howard Barr, Canadian creative consultant for John Frieda and owner of his eponymous Queen St. W. salon, worked doing hair in Los Angeles for 11 years.

"Cameron was always a natural blonde," Barr says. "I worked with her when she did department store catalogues."

So why are these celebs going dark? "It's new and different and gives them a completely different look that is more natural," says Paul Cucinello, master colourist at the Christopher Stanley Salon in New York. "They also want to distract people from what's going on in their lives and give the press something else to talk about.

"People take brunettes more seriously than blondes and there's a `good girl' thing associated with brunettes – most of these girls have been pretty naughty, right?"

Does that mean Angelina Jolie and Catherine Zeta-Jones are the new gold standard?

"They represent this sexiness that isn't about cosmetics – it's more natural, so I would say yes," says Cucinello. "Angelina Jolie is the new gold standard. Everyone thinks she's hot.

"Right now, the hot thing is to look exotic, not artificial. There is an ethnic twist because the all-American blonde, blue-eyed look is not an adequate representation (of the population)."

"It's the whole Hollywood machinery and for awhile there, it was the whole blonde thing and I found it difficult telling them apart," says Barr. "Now there is a whole slew of them because the marketing has changed. It's the ethnic thing: Penelope Cruz and Salma Hayek stood out in a field of mostly blondes."

So are blondes washed up?

"Right now blonde is officially out of style," Cucinello opines. "But no worries – as soon as they all go brown, they all start going back to blonde one by one. They like the attention."

"Blondes are not washed up," insists Barr. "It's like saying Scandinavians are out."

Formerly blonde Tracy Sheridan, an aesthetician at Lid Inc. on Yorkville Ave., has embraced her dark side for two weeks. "For me, it was the maintenance," Sheridan says. "I've always said, `I was born blonde, I'll die blonde.' But it's more flattering – dark hair, light skin, light eyes. It makes my eyes pop."

Do blondes have more fun?

"To tell you the honest truth, I've been getting more attention, more looks. I get, `I never noticed your eyes are so blue.' I feel like I have more style, more sophistication.

"Who knows," says Sheridan. "Maybe I'll go back to highlighting. In the salon, everyone (on staff) is going darker. In our business, you have to change; you have to be cutting edge."

But don't look for Paris Hilton, Jessica Simpson, Pamela Anderson or Anna Nicole Smith to be dipping into the dye bottle anytime soon. The blonde bimbo thing works for them.
READ MORE - The World of Fashion in 2009

Les petites mains can finally rest

It is late Tuesday afternoon, and I am at the Palais de Tokyo, waiting for the Christian Lacroix spring 2007 couture show to begin.

I've been to the European ready-to-wear shows often, but it's my first time at the couture – ground zero of chic – where the most expensive clothes in the world, and some of the women who wear them, come together for three days of exquisite excess.

Even though I am a couture virgin, I know that the suddenly slumped-over woman beside me means something is amiss.

"Madame," I gently tap her arm, clad in a simple ribbed cotton cardigan. "Are you all right?"

"Oh," she pulls herself off me dreamily. "Je suis désolée. I did not sleep at all last night as I was working on the collection."

"You are one of les petites mains?" I marvel, realizing I am seated beside one of the legendary "little hands" who handcraft the couture.

She nods weakly.

Moments later the first outfit emerges and I gasp at a brocade mini-dress worn by Vancouver native Coco Rocha. The dress looks dipped in 24-kt gold. I turn stunned to the exhausted woman beside me, and she smiles in gratitude.

Later, after Lacroix has taken his bow, in a shower of the pink carnations left on each chair for admirers to throw, I thank her.

"Now I will sleep for two days," she sighs, collecting her nondescript parka and a plastic shopping bag that I am guessing contains a toothbrush, perhaps a change of clothes.

The mirrored bolero, gazar poufs and mille feuille collars that took her and her colleagues hundreds of hours to create are now for others to enjoy.

One admirer, a Muscovite in chinchilla hat and cape, sat in front of me under the imposing dome of the Grand Palais at the Chanel show earlier in the day.

Although it was not yet noon, she was swigging from a silver flask. "Vodka?" a colleague inquired playfully. "Cognac," the couture client responded, miming a shiver. Even though she is indoors, swathed in chinchilla and from Moscow, she is apparently chilled.

Elsewhere Victoria Beckham, Rachel McAdams, Sofia Coppola, Kate Bosworth and Rinko Kikuchi are heating up the front row.

The Chanel collection itself is perfect for modern-day Czarinas and Oscar hopefuls with feathered fingerless gloves, a Lagerfeld signature, and a nod to two of his greatest ready-to-wear hits of the '90s – tweed jackets over shiny black tights and fringed "car wash" skirts in metal sequins.

"It's the top of the top," Vogue's André Leon Talley declares in a post-show scrum. "You feel so uplifted when you come to a Chanel show ... exhilarated by the beauty."

And yes, darling, the jackets shown only with black tights can be ordered with skirts.

Talley is holding court on a ballroom-sized white carpet rolled out for the models to wander, white being a trend for the season both in the clothes and the environments they are shown in.

The Valentino show felt like it was held inside a hollowed out eggshell. An intimate room at l'ecole des Beaux Arts was made even more so with a snowy white carpet and sheer white curtain dividers, so that you felt like the parade was just for you and the 40 others in your little enclave. There were starbursts of pleats, pleats pleated into even more pleats, and a satin suit cutout like a paper snowflake.

At Givenchy the youngest couturier in Paris, Riccardo Tisci, bucked the white trend by creating a bleak underwater cavern with water dripping onto a cement floor. As the show progressed, puddles formed, and were smeared by the trains of the models' evening gowns.

Tisci hails from Taranto, a seaport in Italy's Puglia region, and the clothes were a seafaring fantasy Walt Disney himself couldn't fathom.

Silicone coral forms and broken shells were imbedded in pleated tulle. Sailor caps and admiral jackets had cartoon proportions.

And the murky sepia and black palette gave you the feeling you had drifted to the bottom of the sea.
Yesterday afternoon, Jean Paul Gaultier thrilled with a collection that melded motifs from saints and sinners.

Acrylic halos, stained glass patterns, icon prints and stigmata tears mixed with bustiers, siren dresses and backless jackets, some even modelled by burlesque star Dita Von Teese.

The sexy sacred heart dress will be sure to get temperatures rising both inside and outside the Vatican walls.
READ MORE - Les petites mains can finally rest